[Gayo Daejun 2012] Part 1: The 10 Best Performances

The performances I chose are some of the most creative, most confident, and best-executed performances -- they're strong from top to bottom and side to side. These are the performances that bring out some of the best talent in K-Pop, and that really do a good job of showing it off.

The 5 Best Albums of 2012

There are albums that come with fireworks and explosions left and right, but at the same time have all the foundations laid out firmly. It's those kinds of albums that made the list this year, but first I had to find them, because believe me when I say that there weren't a lot.

Six rookies to look out for in 2013

The acts on this list fall into one of those two categories -- acts who I think did a phenomenal job this year and deserve to get even bigger, and acts who I think have the potential to do well next year. These are the rookies who proved themselves, whether it be in one area or all, and managed to stand out.

[#1] Infinite - "The Chaser"

Infinite started out with material a cut above the rest of their fellow rookies and now that as permanent fixtures in K-Pop, they carry on with material that's a cut above everyone else. "The Chaser" is everything this list aims to put forward, and everything that I, as a critic, want from a song.

[#2] Ailee (with Simon D) - "Shut Up"

This is what happens when you give a good song to a good singer and do a good job delivering it. This is what happens when people in the industry pull themselves together and do a good job because they genuinely want to. This, my friends, is called magic.

Friday, July 31, 2009

Need new music? It's the Friday night post!

I'm lazy, tired and I have an extremely tiring day tomorrow - will be engineering the recording of like 6 poems. OK. These past few days have been extremely stressful for me but I got through it - time to post some new music! Relatively short tonight, I'm going to write and go to bed!

The Sugababes' new video is out. I've come to be able to bear the song, it's not that bad but I'd not good either. Oh well, I just hope the album's a lot better. If you haven't seen the video yet, here it is:
No Angels have only previously made one song I actually like and would love to listen to over and over again and for the longest time that one song was the only one. I've found another song worthy of my praise though - One Life.

It's new, and we haven't heard it in HQ yet(the version I have doesn't sound very nice..) but I do love it heaps.

The Korean representative this week is Kara. Yes, another girl group but no, they're not like 2NE1 or SNSD - they're the extremely cutesy girl group. It can be good sometimes but most often their voices are crap on the recordings because some stupid corporate dude tells the producer to make their voices really cutesy/baby-like. UGH.
It's their new single. Not bad, actually - if they lost the crap voices I'd actually like it a heck of a lot. Am getting the album as we speak so if it's good I'll review it in the coming days.

Monday, July 27, 2009

Top 20

What's new this week? Well, I've found my current favorite J-Pop artist - Namie Amuro and she's number one this week. Pop/R&B done the right way - you can never go wrong. I put some links to videos as well so watch them and enjoy the great music this week! hahah.

20. BoA - My Boy
19. BoA - Etude
18. Ola - Sky's The Limit
17. SHINee - Love's Way
16. ST Day - Afraid (NE)
15. Brown Eyed Girls - Abracadabra (NE)
14. Girls' Generation/SNSD - Boyfriend
13. Big Bang - Gara Gara Go!
12. Ju-Taun - Let Me In
11. The Saturdays - Unofficial
10. Blake Lewis - Sad Song (NE)
9. Kristinia DeBarge - Speak Up (NE)
8. Jordin Sparks - Was I The Only One
7. Brown Eyed Girls - I'll Do Well (NE)
6. Shinhwa - Once In A Lifetime (NE)
5. BSB - Straight Through My Heart (Soldier Down) (NE)
4. Girls' Generation/SNSD -
Tell Me Your Wish (Genie)
3. Jordin Sparks -
No Parade
2. Kim Joon -
Be OK (Link is to the first performance of the song.)
1. Namie Amuro - Girl Talk (NE, 1 Week)

Friday, July 24, 2009

Another Friday Night post.

I'm exhausted but I don't know why - I always want to write about a ton of stuff on Friday night. Maybe I should make this an every week thing. Sounds interesting. hahah.

So first thing's first - Kristinia DeBarge. I don't know - something about the songs make me uninspired to write about the album. There are good songs, don't get me wrong, Speak Up and Somebody are the best of the good but the album as a whole sounds like various stuff we've all heard before - most of the melodies haven't moved me to the point of no return either.I'd give the album a 4/5 at the moment.

My beloved Brown Eyed Girls have released their new album(which is extremely confused but has three of the most brilliant ballads ever sung) and the lead single is so Eurotrash-y it could pass for crap. OK, maybe I'm being a little mean but seriously, the song is way too auto-tuned and techo-ized that I have a hard time imagining how the heck they're gonna sing this live.

I've noticed this with quite a number of girl groups. For some strange reason, the best singers are the ones who get the most auto-tuning, cutesy-fying and crappy-fying of all the members - that's like the worst thing you can do, make a girl who can sing sound like a baby or a crap singer. For BEG, Narsha gets like 3 short lines asa bridge and it's auto-tuned to the point where you can't even decipher if it's her - heck, she hardly even sings.

Oh, and the video is possibly going to be banned in Korea because it's VERY controversial and the girls' entertainment company refuses to edit it. Kudos to them for standing by their creation - even if it's not my taste at all.

BSB's new single has left me speechless. The fact that they can make a melody that sounds like it came straight out of the year 2000 and slap it onto a very 2008/2009 arrangement is beyond me. THIS is why they're Gods in the boyband world - enough said.

Wednesday, July 22, 2009

The guy who made the music that defined my freshman year.

I remember when American Idol 6 was on - I was in sixth grade. At that time I had a best friend who was the biggest Idol fan, next to me of course, and we were both rooting for Blake Lewis. The guy was by far the most creative contestant in the competition and yes, his forte was beatboxing but he could also sing like hell - he was brilliant and extremely talented. So obviously I'd be extremely disappointed and annoyed when Jordin won (although now that her second album's out, I realize that she deserved to win, even just a bit.) and Blake would forever be labeled as the guy who didn't win Idol.

His album came out, I fell in love with the songs but it wasn't until the latter and extremely depressing part of my freshman year that the album really meant something to me. Brilliant songs, insane melodies and the songs I fell in love with didn't have my favorite beatboxing Blake. Oh well, tough luck.

Well he's back.

I don't know why but his pronunciation on Sad Song is SO BRIT. I'm not complaining or anything but I'm just not used to it. Overlooking the pronunciation, the song has some of those moments when I want to strangle the guy for making something as brilliant as the song. When I first heard it I was a little iff-y about it and thought it was sub-par compared to his other songs but now that I listen to it a lot more, THIS SONG SHOULD BE A HIT. I'm not saying it will, it may or may not but I'm saying that if I were to choose, everyone in the world has to listen to it twice - I now find the song one of the best this year, so far.

I don't think the first verse does justice to the song until it's very close to the chorus which is insanely brilliant. I can imagine people singing the hook all over the place - don't know if it'll happen though. The second verse is much better, maybe because of the instrumentals and the middle 8 is auto-tune heaven and yet I find it appealing - there's something about it. Although it's obviously not hit you on the head auto-tune which is why I like it to a certain extent.

5/5. As if I'd give it any other rating.

Monday, July 20, 2009

Top 20

The first ever Korean number one! YAY! The most unexpected person making the most brilliant song. No recap this week - I'm far too lazy. I might even scrap that idea altogether - me and my laziness.

20. Stephanie Carache - Mr. Playa
19. SHINee - Romantic
18. Jesse McCartney - Because You Live
17. JoJo - 25 to Life
16. Jennings - Falling Higher-Full
15. BoA - My Boy
14. Big Bang - Gara Gara Go
13. Britt Nicole - The Lost Get Found
12. Girls' Generation/SNSD - Boyfriend
11. BoA - Etude
10. JLS - Beat Again
9. Demi Lovato - Gift of a Friend
8. Ola - Sky's The Limit
7. Girls' Generation/SNSD - Tell Me Your Wish (Genie)
6. The Saturdays - Unofficial
5. Jordin Sparks - No Parade
4. SHINee - Love's Way
3. Jordin Sparks - Was I The Only One
2. Ju-Taun - Let Me In
1. Kim Joon - Be OK (1 Week)

Sunday, July 19, 2009

INTERVIEW: Stephanie Carache

Interview number THREE! And the girl in question makes damn good music.
For those of you who absolutely adore Pixie Lott's Mama Do and how retro-ish but modern it is or adore the girl's powerhouse vocals - better drop whatever you were doing before this and READ THIS NOW. I'm not kidding in any way - you will LOVE this girl once you hear the song that made me want to interview her.

Thursday, July 16, 2009

Jordin Sparks - Battlefield

Of the few lucky Idol alumni who've gotten past the formulaic and most times crappy first album stage, Jordin Sparks was the one I least expected to convince me she's good. I didn't notice her on Idol because Blake Lewis was and always will be tied with David Cook as one of the most creative and outstanding Idol contestants ever but that's another matter. Jordin's first album came and went - I liked three songs including One Step At A Time which eventually became a single. Promotions were done and over with for this album and I forgot about the girl. When Battlefield came out I was unimpressed but Walking on Snow changed my opinion on this album - SOS tied up any other doubts I had and It Takes More got me hyperventilating at the thought of having an album possibly full to the brim with amazing songs.

Needless to say, even if the only really major, prestigious award Jordin has won is an AMA (although that's good enough.) and Carrie and Kelly have won a ton of Grammies after their first albums, the girl has her own niche in the pop industry. I mean, she's not pop to the last note but she's not hardcore enough to be R&B - there are a few of them in that part of the industry but Jordin's clearly leading the pack.

My one observation of the album as a whole is the fact that Jordin has managed to show us 12 (14 if you have the deluxe edition) songs that are epic in completely different ways. Whether it be the happy and/or epic when you want it to be Walking On Snow or the cry-worthy epic-ness of Was I The Only One, these songs make sense. The fact that they're all epic in some way, shape or form makes the album cohesive for me - there's something that ties everything together neatly and nicely.

I've said what I think of Walking on Snow and SOS - my reviews on them still stand, They're both brilliant, WOS being epic yet happy and SOS being epic in itself - no need for further discussion, I think. I still think Battlefield is boring and only ever so slightly worth my time and my review on it 1-2 months ago still stands as well.

So let's focus on the brilliant songs I've never talked about. Like, duh.

Don't Let It Go To Your Head made an impact when the second line started and the instrumentals came in - it sounds like something straight out of her first album but it's different. It's like a less epic SOS mixed with a teensy bit of the beauty that Was I The Only One (we'll get to that song later, I promise) and a bit of Battlefield thrown in for good measure.

I first heard It Takes More a few days ago when it had just leaked and I was taken aback by how beautifully strung together the parts of the song were. It's not that they're all on the same level and it's like there's no difference between the chorus and the verse - you know which part is which but it's just that the 'transitions' sound so effortless that it's like they were meant to be on the song no matter what. That and the fact that the hook is another insanely brilliant Oriental-ish melody. Add Jordin's voice and you have a fabulous combination.

One masterpiece after the other - Watch You Go has these bigger, more processed bongo-like drums in the background that practically make the whole song along with the above-excellent melody. The drums give the song an island-y feel but the beautiful melody will bring your right back to where we all are and make you faint at the same time. The elements of the song don't seem like a perfect match - you'd imagine a spoken piece or a rap for the text but the vocals and instrumentals really work well with each other. Kudos to Jordin, without a question.

No Parade is brilliant. It's very much like a ballad from artists like her - beautiful melody, piano start with an eventual processed drum loop coming in. The only difference is that this is the song that showed me that Jordin's voice has really changed from her first album - it's grown an awful lot and it's a lot deeper with more color to it. This is the song that showed me that Jordin can sing, very well. The hook will make you faint for a second time so brace yourself for that.

Let It Rain is one of the few sub-par songs on the album for me. Put this right between Battlefield and the rest of the album though and it's a very good combination - makes a cohesive album through and though. Not a big fan of Emergency either - heard it days ago and wasn't impressed at all. Still, the song makes sense but I personally don't hear anything moving, sorry.

I like Faith - it's cute and cool. From the start the piano tells you that the song will escalate into this Aretha Franklin/soul-ish number and her vocal technique later makes you think it'll happen even more. What's most surprising about the song is that it doesn't escalate as much as the start says it will - bit by bit, yes but we were expecting grander than grand! Surprising, Sparks, surprising.

I've heard something like The Cure before - it's just one of the songs I can't pinpoint right now. I like the song heaps though, strong mid-tempo. The full version of Papercut didn't impress me as much as Postcard did but maybe that's because I've listened to the clip waaaay too many times for me to not be surprised. Postcard is a very descriptive ending for the album - it sort of sums up everything the album is and ever will. But I deliberately skipped one song.

Get your tissues ready and lie down on a bed or flat surface before you even think of listening to Was I The Only One, trust me. The violin section on this song makes up something that sounds like every other string section of a pop song at the start but add Jordin's insanely different from her usual vocals THEN listen to the melody and the first part will bring you to tears. When the characteristic R&B elements come in after the first chorus its brilliance will blind you and the minute she goes up before the chorus you will faint. The second chorus has such a different feel from the first part but by the near end of it when everything dies down again you hear this humming and suddenly - BOOM. The song explodes and literally blows you off the face of the earth. The song ends as it starts - Jordin's vocals, a violin and a guitar. I'm even more speechless than I've ever been.

Idol or no Idol, I always say that the hardest shift or change an artist can go through in his/her career is the one from his/her first album to the second album - there are a ton of possibilities that will tell your listeners whether or not you were yourself when you made your first album. I may not like a few of the songs on the album but it's undeniable that Jordin has attempted to make that shift and she's done it effin' amazingly while giving us some of the best songs of the year - there's no 'I think' or 'it's safe to say' in my statement, I'm sure of it.

So, to sum up the album:
Best Track: Was I The Only One
Better Tracks: Everything else
My Least Favorite Track: Like I said, Let It Rain and Emergency didn't make an impact.
THE RATING: 5/5

Wednesday, July 15, 2009

BATTLEFIELD IS HERE.

YES PEOPLE, BATTLEFIELD HAS INDEED ARRIVED.
Since I'm really submerged in schoolwork and unless the album blows me away beyond proportion, the review will come sometime this weekend.
I'm trying to breathe myself.

Top 20

EDITED! The first version was WRONG.

This week's top 20! A summary of numbers twenty to one:

Jennings opens up the top 20 with Falling Higher-Full, Kristinia DeBarge sinks to number 19 and Jordin Sparks makes her first entry in this week's top 20 at number 18 with It Takes More. KSM re-enter the top 20 at 17 and JoJo goes further down the top 20 at number 16 this week. BSB sink to number 15 this week while BoA's first entry, My Boy finishes at 14. Like JoJo, Britt Nicole sinks further down to 13 this week while last week's number 2 lowers to number 12.

Jordin Sparks' two debuts close the top 20 - 11 and open up the top 10 - SOS is at 11 and Walking On Snow at 10. SNSD's Boyfriend sinks to 9 but Genie makes a big leap to the number 4 spot - it's about time. 2NE1's I Don't Care makes its debut at number 8 this week while BoA's second top 20 entry, Etude finishes inside the top 10 at 7. Ola sinks to number six while Demi Lovato jumps to the number 5 spot after last week's debut. Last week's number one, The Saturdays take the number three spot and this week's highest new entry goes to Kim Joon at number two. Ju-Taun, whose interview fueled me to listen to them intensely has Let Me In at number one this week!

Below is the top 20 in full:

20. Jennings - Falling Higher-Full
19. Kristinia DeBarge - Future Love
18. Jordin Sparks - It Takes More
17. KSM - Read Between the Lines
16. JoJo - 25 to Life
15. Backstreet Boys - Bye Bye Love
14. BoA - My Boy
13. Britt Nicole - The Lost Get Found
12. Big Bang - Gara Gara Go
11. Jordin Sparks - SOS
10. Jordin Sparks - Walking On Snow
9. Girls' Generation/SNSD - Boyfriend
8. 2NE1 - I Don't Care
7. BoA - Etude
6. Ola - Sky's The Limit
5. Demi Lovato - Gift of a Friend
4. Girls' Generation/SNSD - Tell Me Your Wish (Genie)
3. The Saturdays - Unofficial
2. Kim Joon - Be OK
1. Ju-Taun - Let Me In (1 Week)

Tuesday, July 14, 2009

AH! AH! AH! AH!

No, it's not because JLS are NUMBER ONE in the UK mid-weeks(WOOHOO!) but because I have just found the most amazing k-pop R&B-ish song by a guy/bunch of guys. The guy in question is from the highly-publicized and highly-crappy Korean version of F4 - Boys Over Flowers.
Let me correct myself - the guy singing the song is the one who doesn't talk at all in the highly crappy Korean version of F4. I honestly didn't know he could hold a melody! OK, the guy is sub-par in the vocal department but we have auto-tune in the 21st century - he like many others who can't sing, will survive. Well at least the guy can dance! Not like Rain (NO ONE will ever be like the guy..) but good enough. Give me a good song and I'll bear with your voice and kind of like your dancing, thankfully.

If I were to recommend you one good song from each genre and artist type in Korea - this would be the song I'd give your for the solo/group male R&B-ish but not stuff. The song as a whole is great - why? Read on! (one of my crazy attempts to keep you reading my reviews. hahah!)

The song actually starts out very ordinary and the verses are sub-par - it's worth your time but not a lot of it. The guy basically overlooks the verses because if you've seen the teaser of the song you know very well that the best is yet to come.

Before I start raving about the brilliance of the rest of the song, let me take a moment to commend whoever thought of the dynamics on this damn song. You hear that every time the song goes into another part, there's always an indicator that's loud and clear enough for us to notice. In short, as the amazing-ness of the song escalates, the dynamics change and the result is a very cool instrumental - I'd imagine if you strip the vocals and just keep the instrumentals it'll be very cool and posh with a bit of groove.

The bridge is a notch more amazing from the first verse. At least I think it's the bridge - after the first dynamic 'indicator', the one with 'sarang' and a word that sounds like 'motel' without the L in the lyrics. That's it. The chorus (with the 'tell me why' in the lyrics..) is drool-worthy to the point when the whole floor will most probably filled with your saliva. It's that good.

One thing I noticed while writing this review and actually putting the parts of the song to words is that it actually has like 3 different hooks (won't call them choruses or verses of bridges or whatever 'coz they're not..) that don't come in the standard verse-bridge-chorus-verse-bridge-chorus-middle 8 and/or rap part-dance break-last chorus form. It's like OK - one minute you think this is the hook/chorus and then the next minute it's gone and was replaced by a completely different part with a different melodic structure and everything. Dammit.

All three (could be four, not so sure but I think it's 3..) hooks are obviously different but they all just happen to be amazingly brilliant. It's like I can fathom the rap part of this song 'coz it comes in between two of the most amazing melodies I've ever heard or I think I've heard - the hooks make that much of an impact. Like hell. I love the part right after the rap part - it's a lot more processed but a lot less 'heavy'-ish. It makes sense, in short.

Actually, even with the strange structure and brilliantly (sometimes overpowering) thought of and executed dynamics - this song makes all the sense in the world. I love it - that's the bottom line.
The video + full song. WATCH IT A MILLION TIMES, LIKE HELL.
5/5. Phew - that was LOOOOOOONG.

Sunday, July 12, 2009

INTERVIEW: Ju-Taun

You've seen them on my weekly top 20 and have heard me rave about them on Twitter so why exactly have I been doing those things? Because my friends, I bring you my second indie interview.
The first time I ever heard Ju-Taun I was in awe of the impeccably executed vocals, the swoon-worthy harmonies and everything else that draws me to vocal groups - be it a boy band, girl group or whatever. I thought musically they were one of the best groups I'd heard in the past three years and believe me, I've heard a ton of them so yeah - I adored them from the first note I heard come out of their mouths. Let Me In is a staggering 7 minutes-long but you know what? The time just flew by while I was listening to it - those seven minutes didn't and will never seem like 7 minutes because I lose track of time when I listen to their music.

Friday, July 10, 2009

2NE1 + Jordin Sparks + The Sugababes = This Week's Friday Night Post

It's been one heck of a week for me but it's by far been the best since school started back in June. I'm way more comfortable with the going to school routine and I'm not sick anymore, the main thing but I also happened to ACE a geometry test about a lesson I enjoyed every bit of - I kinda sort of like studying now. I've also loved every second of my elective this semester and plan to ace this again like I did last year. Music-wise a lot as happened and I have two interviews ready to be published in the next two weeks so watch out for them, OK?

A diverse selection tonight - there's a song I think sucks, a good song and an outright brilliant one. Read away, alright? Alright.

The first matter of this post is from the world of K-pop. I'm sorry for the people who read this because of the Western pop but I'm afraid I've fallen trap waaaaay too deep - there's no turning back and I feature everything I like. Done deal.

For the longest time I've despised 2NE1 or at least found Fire extremely annoying and a waste of my time. Add that to the fact that Sandara Park tried to have a career here and for a while she was big but at the height of her popularity she went back to Korea. Now we know why - BECAUSE SHE'D BECOME THE CRAPPIEST MEMBER IN A GIRL GROUP SURROUNDED BY THREE OTHER VOCALLY CAPABLE GIRLS. Great, just great.
I'm dead serious. The rapper in 2NE1 can hold a melody properly and competently, the oldest member has the most critically beautiful voice - it 'just' has beautiful timbre on the surface but dig deeper and it has the ability to change your life, sort of. Then we have the youngest girl and she reminds me and a lot of other people of my favorite Big Bang member - DAESUNG!!!! Mainly because I think she has an amazing voice that grabs your attention the minute you hear it - it will make you swoon. Like hell.

OK. So they have a new single - I Don't Care. When it first came out I was unimpressed and bored but when I saw the video last night, my jaw literally dropped to the floor. OK maybe it didn't but you get the point, right? Right. It just to happens that My favorite is the 'star' on this song with three solos that aren't the chorus. Oh dear. Of course Sandara's crappiness right after my favorite member's solo completely destroys the whole thing but I've learned to live with it - the song is near-epic. The melodic parts (even Dara's.) are surprisingly gorgeous from a band that brought us the annoying Lollipop and waste-of-time Fire but this is probably the only song on their mini album that makes that much of an impact. Bittersweet.
4.3/5

From what I quickly skimmed through and glanced at, SOS is Jordin Sparks' second single from Battlefield. Countless artists have coined SOS as a song title and the songs have been enjoyable at the very least but Jordin's is above enjoyable. Everything about this song says that I SHOULDN'T like it - that it's way too this or that for my taste but I LOVE IT. There are elements in the chorus that remind me of a bygone era - whether 70's or 80's I'm not sure but it's one of either. The verses are exactly my taste though - beautiful vocals and an insanely epic melody.

If I was to gauge how epic the song is I'd seriously give up before I succeed. The epic-ness of the whole thing spreads throughout the song but the instrumental break before the last chorus redefines the word epic. What makes it better is the fact that the more I listen to the song, the more I fall for it and the more brilliance I find. For lack of words to describe the brilliance of this song even further - just listen to the damn thing.
The rest of Battlefield is looking very, very amazing and the record as a whole including the songs I don't like sounds very cohesive so far. I honestly can't wait for it now - there's bound to be at least one more great song we can milk off the girl. YESSSS.

5/5

I adore the Sugababes - I honestly do but the minute they make a song wherein I only find three lines worth my time but aren't even that good, my adoration will slowly wane. I'm sorry to say but their new single is just that.

Ever since Get Sexy was released and all my fellow bloggers talked about what they thought of it on Twitter it seems like I'm seriously the only one who's disappointed to the point of angered by the song. The intro before they start singing is scary, when they start singing it's not exactly enjoyable, the disjointed chorus without a melody is indulgent in all the wrong ways and the only decent part is when Heidi sings like 2 or 3 lines - that's it.

The song doesn't sound effortless and it isn't epic so it's obviously not beautiful to me. It sounds disjointed, unmelodic and annoying - so un-like them.

1.9/5

Wednesday, July 8, 2009

Jordin Sparks - Walking On Snow

There are songs that help me relax and clam nerves but there are songs that go the extra mile for me - they make me smile no matter how crappy I'm feeling. I don't come across those kinds of songs very often though and if I do some of those songs get way too overplayed and don't have the element that keeps me interested. I never expected Jordin Sparks to have a song that did that to me. Too bad though - she does.

The first time I heard Walking On Snow was back in February when a clip of an early version of it was released. I was slightly regretfully way too preoccupied with Paper Cut's brilliance (which I think I'll never be able to hear in full) but I thought Walking On Snow was amazing at the very least. Now that we have it in full (and in pretty decent quality..) though, it has really, truly blown me away.

The song's epic yet happy - it has the ability to make you think it's the most brilliant and amazing song in the world when it wants you to and then completely change your opinion to make you smile the other half of the time. The verses build up to epic-ness of the instrumentals and the happy-ish-ness of the melody during the chorus that makes you the good kind of confused as to what the song actually is. The middle 8, oh dear. It dignifies the phrase 'short but sweet' - those four lines seem so short yet are enough to leave you amazed.

The one thing I'm afraid of is the fact that after a few days or weeks or months there's a high possibility that it will lose its impact on me and only come back after I stop listening to it for months at a time. I honestly think that after a few days I won't be gushing over it anymore and it'll sound boring. For that reason, I won't give the song a perfect score.

4.9/5

Monday, July 6, 2009

INTERVIEW: mnek

OK. So over the past few weeks I've been arranging a number of interviews with some amazingly promising indie artists who deserve major label deals RIGHT NOW. Some of them were brought to my attention by a PR firm I recently got access to but the guy I'm featuring today first e-mailed me to review his songs months back. If you remember, I wrote about him here.

The guy's a genius songwriter so I picked his brains a few hours ago and here's what conspired:

1. What made you want to do music at an age where a lot of kids/people are still struggling with their identities and finding out who they are?

I've always wanted to do music, I've always been doing music. It's just at this point I'm taking it to the next level.

2. As far as influences go, who are they and why are these people the ones you look up to or listen to?

Ryan Leslie is a genius in my eyes and highly underrated. I love Frankmusik, Sam Sparro, La Roux, Whitney Houston - my mum is a huge fan, so when I was young I'd be used to listening to a lot of I Wanna Dance With Somebody and Saving All My Love For You. Xenomania, Calvin Harris, Blake Lewis. Just a lot of pop music.

3. If you were given a major label deal right now, what would be your reaction, will you accept it and what will you do once you have it?

ATM, I'm not really looking for a record deal. I've signed a publishing deal with EMI so now I'm a professional writer and producer, but I'm holding off on the artist thing.

4. So I know kids like us can't do certain things when it comes to music or writing because of our age or because of school but what do you do to further yourself and your music? How important is getting your music out?

Extremely important. There's no point making it if it's not gonna get out there IMO. If you love what you do, I don't feel anything should really get in the way, because it's your dream, it's your life.

5. How do you react to criticism?

Better than I did a few years ago. Now I know there's a difference between constructive criticism and criticism on its own. Constructive would be, "You suck, but here's how you can improve". While criticism on its own is just basically "You suck."

6. What makes a good song for you? Do your songs have all those elements?

A good song TO ME, is a song that is catchy and non-filler. Something in which not only the chorus captures, but the melody, the verses, the instrumentation, everything. I think all my songs have those elements. I like making songs that are great, but will get annoying after, lol!

7. Is school important to you? As in even if you're given the chance to break the industry, will you still make time to finish studying?

I genuinely despise school, but you gotta do what you gotta do. I, ironically, don't believe in being taught music in school. Being told to play this, like this and like that, that's not music. Music is one of those things where you can only go where your heart takes you, not where your teacher takes you.

8. If it's the only choice, will you join a reality show to get into the industry? Why or why not?

I wouldn't. I reckon reality TV shortens the chances of the artist having a long and fruitful career, with a few exceptions (Leona Lewis, Kelly Clarkson). And plus the label makes them who they want them to be which isn't cool.

9. At the moment, what's the 'ultimate dream' so to say? What do you think you want to do for the rest of your life?

The ultimate dream...I would say being a musician for the rest of my life. Being a RESPECTED musician.

Find him online:
MySpace
Twitter

Top 20

Super Junior and Industry come in at 20 and 19 respectively while BoA's My Boy and Queensberry's Flow both debut in the next two spots. Natalie Bassingthwaighte's new single, Not For You debuts at number 16 while Girls Can't Catch rise one place to number 14. BSB and Jessica Mauboy both fall out of the top ten, finishing at 13 and 15 respectively. Agnes Carlsson is safely at 12 for another week while Kristinia DeBarge just narrowly misses the top 10, debuting at number 11.

Brit Nicole sinks 4 places to the number 10 spot but JoJo isn't doing any better - she's at number 9 this week. SNSD's Genie is slowly working it's way up, finishing at number 8 this week while Ju-Taun make an impressive 13-place leap from 20 to 7. BoA's Etude and Demi Lovato's Gift of a Friend rise to numbers 6 and 5 respectively. The debut of new songs from Ola and Big Bang at number three and two respectively push SNSD's Boyfriend down to number four but The Saturdays are still the queens of the chart this week - Unofficial stays at number one for the second week in a row.

The top 20 in full:

20. Industry - My Baby's Waiting
19. Super Junior - It's You
18. Queensberry - Flow
17. BoA - My Boy
16. Natalie Bassingthwaighte - Not For You
15. Jessica Mauboy - Do It Again
14. Girls Can't Catch - Keep Your Head Up
13. Backstreet Boys - Bye Bye Love
12. Agnes Carlsson - Release Me
11. Kristinia DeBarge - Future Love
10. Britt Nicole - The Lost Get Found
9. JoJo - 25 to Life
8. Girls' Generation/SNSD - Tell Me Your Wish (Genie)
7. Ju-Taun - Let Me In
6. BoA - Etude
5. Demi Lovato - Gift of a Friend
4. Girls' Generation/SNSD - Boyfriend
3. Ola - Sky's The Limit
2. Big Bang - Gara Gara Go
1. The Saturdays - Unofficial (2 Weeks)

Saturday, July 4, 2009

New Music!

A lot has been happening and I haven't had the time to properly digest everything since I got sick. I'm feeling a lot better now - better than yesterday but I'm stuck at home for the next three days.
  • For those of you who loved the severe pop-y-ness of BoA's Milky Way during the KPOP special and Etude - the song I featured a few days ago, there's another song in that category. My Boy is honestly like a mix between Milky Way AND Etude so do check it out.
  • So Kristinia DeBarge has covered Varsity Fanclub's Future Love. I was surprised, to say the least but I do love the version now - it's so, her. The girl is continuing to impress me as I hear more of her stuff - I just hope she gets some attention at the very least.
  • Since yesterday Leona Lewis songs have been leaking like crazy - three full songs and one clip but I haven't heard the first Ryan Tedder song that leaked (mainly because Mediafire is being a pain..). Perfect Stranger's not my type, Brave's nothing special but I Got U has the potential to blow me away. It hasn't done the job yet but I think once we get the whole song I'll start going crazy. The melody reminds me something songwriters here would give a band, surprisingly - let's see where the song will go.
  • OLA! I adore the guy - reminds me so much of a male Agnes Carlsson. Sky's The Limit is armed with lyrics that can make your cringe but don't because the song is just so pop-y that you don't mind. That's what I call pop music.
  • There's a new Brown Eyed Girls teaser out and even if they made a song with the most brilliant bridge ever, I'm not impressed. Will have to wait for the whole song, then.
  • Daughtry has covered Poker Face. Haven't heard it and I don't have any intentions to - unless someone tells me it's any good.
  • Whitney Houston has a new song out? Haven't heard it either but I think I'll give it a shot later - it's bound to be decent at the very least.
What to expect in the near future:
  • I've set up a few interviews with some indie artists so that should come through most probably in the next month or so. YAY!
  • Apparently it's new single season in Korea and US and UK artists are slowly leaking new stuff so that should keep me preoccupied.

Thursday, July 2, 2009

SNSD - Genie + Natalie Bassingthwaighte - Not For You (video)

The song is slowly gaining momentum as a single and is poised to be a gigantic hit over the next few weeks. When I first heard the song I wasn't impressed - it didn't make me tick but after a few more listens it suddenly seemed like the most brilliant thing since anything(which it's obviously not but close enough!).

A few days ago I said a few more listens and I'd get sick of it - that's partially true. The only reason why I bothered to even listen to the song again was because of alleged plagiarism. Everyone started freaking out when they found out that Genie sounds exactly the same as a Uzbekistani popstar's single a few months ago. Everything was cleared when SM Entertainment(the girls' talent company) said that they bought the exclusive rights to use the song however they wanted to and somehow the demo leaked and the popstar got it. So everything's fine in K-pop land. Here's the SNSD song and below that is the 'rip-off'.
4.7/5

So I got informed via Twitter that Natalie Bassingthwaighte - Australian pop queen (am I right to call her that?) has a new video out. For a song I absolutely adored the first time I heard it. Here's what I said back in February when I first reviewed the album:

Not For You sounds like something Everlife or Superchic[k] would sing for a Disney live-action movie soundtrack. I love every part of the song, these kinds of songs are usually the ones that I'll listen to a lot when I first get them, get sick of them and I'll forget about it for two months then when I'm so bored, I'll remember the song, listen to it and just smile at brilliance.

Did it happen? Hell yeah.

I came back from a miserable and painful doctor's appointment(Which is probably too graphic to describe.) to find what? THE EFFIN' VIDEO PREMIERE. I'm like - FREAKING OUTTTTT! I honestly predicted both of the girls' post-album singles. YAY.

Wednesday, July 1, 2009

Big Bang - Gara Gara Go

The past 18-20 hours for me is best described as crap in every possible way. It started last night when I got home real late after my voice got a beating singing hi re's and fa's over and over again. Since I'm the oldest in my 'voice' and my cousin was there watching(she's a very good choir person, mind you) a lot was resting on me to sing those solo parts naturally. So last night I lost my voice of all horrors. At around 4 AM, maybe earlier, I felt like crap - like I had a fever. When it was time to wake up for school I couldn't get up, I was way too sick. So here I am, lying down on my bed and wallowing(and my insecurities are starting to bite back..) with a MacBook Air and unlimited wi-fi by my side. The one thing that made my morning somewhat pleasant was this song:
I honestly adore Big Bang and if it weren't for the rapping like 60% of the time they'd most probably be my favorite Korean boyband but alas, they rap way too much for my taste.

This is their new Japanese single slated for release on July 8 and I absolutely adore it. The processing seemed a bit unnecessary (especially for the guy who sings first - his voice is absolutely gorgeous that I don't know why they even thought to masking his brilliance) when I first heard it but after I listened to the whole thing I was convinced that this may be one of the most brilliant mainstream K-pop (or J-pop if you take into account which market this is aimed at..) songs this year. The song as a whole sounds very techno/R&B-like, a far cry from my favorite song of theirs but I can see the appeal of an arrangement like this. Being me, the melody won me over before I could even weigh the good and bad of the arrangement so I'm afraid this song is brilliant to my ears.

The chorus is absolutely divine and they sell the song amazingly well, being catchy and all but the verses are outstanding beyond words. The processing during the verses becomes slightly bearable but I honestly can't wait for them to sing this live so I can actually hear the song without auto-tune.

At the moment, it's a 4.9/5 but it might go up to a perfect score pretty soon.

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