Monday, December 27, 2010
If anything, this was the song that ultimately pulled me through several big, and difficult, events this year, and that would've been enough to put the song high on the list, but the fact that it's so damn brilliant puts it comfortably at 4th place - it's more than worthy in my opinion. (LOL but I made the list, so everything's worthy in my eyes)
THIS is how things are, and should be, done in pop - even with all this brilliance happening throughout the song, it's very light to the ears. The production is very clear, but also very dynamic and somehow, the instruments all together, no matter how loud they may be, end up sounding very floaty. For some strange reason when I talk about how the song's light, the first thing that comes to my mind is jell-o - it sounds like jell-o, it's very tasty but it's rather light for food. OK that came out strange, I hope you got my point.
Everything about Get Outta My Way is brilliant. But I think I've already said that a gazillion times. The synth and piano lines are gorgeous, the percussion, although obviously computerized, matches the song very well, and the way everything was arranged - from the explosions to the settling to the fade at the and - makes the entire package sound so effortlessly fun. To the point where this could be the music for one of those commercials where there's this boring office and boring corporate stuff then this comes on and someone starts dancing like a madwoman and everyone around her glares at her before they join in and then somehow, magically, they get transported to some random island where they have this huge party.
Do you get me? I hope you do. I'm sorry, I must be really desperate to get something written down right now for me to talk about jell-o and commercials. Just watch the video and prepare to be blown away.